Theme From Crocodile Guy

Anyone who is a fan of educational television is probably familiar with the inspiration for our "Crocodile Guy," Steve Irwin (a.k.a. "The Crocodile Hunter.") In our opinion, this gentlemen is either very brave or a little nuts to be putting himself in some incredibly dangerous situations with wild animals, such as crocodiles and snakes. But of course, he knows what he's doing, and is always reminding viewers never to try the things he does. If you or your students have never seen Mr. Irwin, we highly recommend watching him. He's very knowledgeable, compassionate to animals, and educationally fascinating, even to us older folks. He also speaks with a certain enthusiasm and zeal that reveals his love for what he does.

In this spoof of his activities, our Crocodile Guy is first introduced by the dramatic "Theme From Crocodile Guy." No doubt one of the easiest tunes you've ever had to teach, the lyrics involve two words: Crocodile Guy! Be sure your students sing with plenty of fervor and intensity.

We do recommend using the CD for this one, as it employs the entire orchestra, from strings to brass to timpani. And, oh yeah - didjeridu. Piano only just wouldn't be the same.

In the Crocodile Guy skit, which is included on page 27, you will really only need one speaking character, but several Boomwhacker® players. Have your Crocodile Guy dress in tan or khaki outdoor (or outback) garb. Shorts are okay, and so is a stereotypical Australian hat.

Overexaggeration of everything always would best describe the delivery style of Crocodile Guy's lines. Be sure to have him use a thick Australian accent, if possible. Our Crocodile Guy (Ellen Morgan - not actually a guy, but so what?), sets a pretty good example on the recording.

The Boomwhackers® should follow your cue for the simple, sparse sounds to the thicker, frantic sounds. Select a few players to do the sparse sounds so you won't have cacophony till you're ready for it. Also select the one player who will do the loud whack that interrupts Crocodile Guy's dialog. Our players struck their palms or their thighs, but you can let your players pick their own technique. Visually, having all those Boomwhackers® chase the Crocodile Guy offstage while he is carrying on could be quite amusing. Work out the details of the blocking ahead of time for the best effect (and the fewest collisions).

The idea of having the Boomwhackers® in this skit (besides the humor of these "wild" beasties in tandem with the well-known character), is to allow you to introduce music that features Boomwhackers®. The next song does that, though you can certainly use your own Boomwhacker® tune or tunes.